There’s a specific kind of loneliness a child who was raised in a religious family feels when they leave home to enter the “secular” world. Time that used to be marked with prayer, church and bible study is now taken up by classes and social situations that test every single thing they’ve been taught. What was memorized from pages doesn’t bend and move for real situations with living people, and it’s not difficult for anyone, especially a young, introverted girl, to feel completely lost at sea.
CHARISMATA screened at the 2nd Annual Philadelphia Unnamed Film Festival. Tickets for today’s showings are available by following this link. Written and directed by Andy Collier & Toor Mian Starring Sarah [ … ]
Written & Directed by Natasha Kermani Starring Lauren Ashley Carter, Sanam Erfani, Neimah Djourabchi and Adam David Thompson Produced by Forrest McClain & Tim Wu Illium Pictures IMITATION GIRL [ … ]
Digging around Exploitation.TV is fun and intriguing on its own thanks to its egalitarian treatment of sub-genres ranging from horror, smut, comedy, art-house and… other. It was also fun figuring out what would pair well together among the many varied flavors of exploitation cinema, kind of like putting together a puzzle with body parts from all sorts of unusual places.
They say that it’s hard to do more than one thing in Hollywood. If you’re known for being at least competent in one field, it’s usually difficult to convince people to give you a chance in others. There’s just too much money and too little time involved. There are always exceptions to this, however, and during the mid-1980s to the late/mid-1990s, it seemed like a concentrated group of special effects artists were merging into that fabled second thing in Hollywood: In this case, it was directing.