From EFX to Action: Special Effects Artists in the Director’s Chair

They say that it’s hard to do more than one thing in Hollywood. If you’re known for being at least competent in one field, it’s usually difficult to convince people to give you a chance in others. There’s just too much money and too little time involved. There are always exceptions to this, however, and during the mid-1980s to the late/mid-1990s, it seemed like a concentrated group of special effects artists were merging into that fabled second thing in Hollywood: In this case, it was directing.

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